展 || 虚拟现实艺术 | 喻红

林冠艺术基金会 北京
 虚拟现实艺术
 2017年8月27日至2018年2月3日
 喻红开幕接待, 2018年1月6日下午4点至6点

中国艺术家喻红的全新作品，作为第五个也是最后一个虚拟现实艺术作品在林冠艺术基金会（北京）首次展出。《她曾经来过》作品中，观者被邀请追随一名女性角色的年华流转。随着角色生命轨迹向前推移，观者将意识到历史本身的回溯。每一个场景的每个细节均为喻红手绘而成，将她的艺术语言带入虚拟现实世界中。在林冠北京展出的五个虚拟现实艺术作品均为该新媒体拓宽疆界的强有力范本。

“虚拟现实艺术”展览于2017年8月27日至2018年2月3日在北京空间展出，依次由克里斯丁•莱默茨、埃里克•帕克、保罗•麦卡锡、托尼•奥斯勒和喻红五名艺术家独立参展的五个连续分个展组成。每位艺术家的虚拟现实作品将与关联的草图、书稿及艺术作品进行为期一个月的展览。

林冠艺术基金会很高兴继续与科拉当代进行合作。科拉当代于2016年在哥本哈根创立，对前沿媒介进行广泛研究，专业从事知名及新兴艺术家的创作愿景在虚拟现实语言中的转化及应用。

克里斯丁·莱默茨：2017年8月27日至2017年9月29日

（2017年8月26日开幕）

埃里克·帕克：2017年10月1日至2017年10月27日

（2017年9月30日开幕）

保罗·麦卡锡：2017年10月29日至2017年11月24日

（2017年10月28日开幕）

托尼·奥斯勒：2017年11月26日至2018年1月5日

（2017年11月25日开幕）

喻红：2018年1月7日至2018年2月3日（2018年1月6日开幕）

喻红

《她曾经来过》

2017年

虚拟现实艺术

图片提供：艺术家和科拉当代

©喻红和科拉当代

2018年1月7日至2018年2月3日

进入喻红的虚拟现实体验中，观者将经历四个场景，追随一名女性角色的年华流转。当人物随着她的成长向前推移，围绕她的事与物则随时间向后退转。她的出生发生在现代医院，随后的场景带领主人公和观者进入远久的过去，直至时光倒流至所知的远古中国的历史起源。

每个场景都由艺术家手绘完成并被改编成虚拟现实，肉眼可见的笔触将充满活力的图层勾勒到虚拟现实世界中，在作品中创造出虚拟和现实事物的互换。喻红的绘画方法在描绘女性生活时表现出极强的个人风格，突出她日常生活中的每个细节，将置于历史背景中的事件和私密时刻相关联。转瞬即逝与无休无尽的一幕幕，在历史和作为个体的生命中作为融合的对立面，寻根究底的发展，重复和改变。

喻红1966年生于西安。二十世纪八十年代，她就读于北京中央美术学院油画专业，1996年读油画研究生。1988年起，她在中央美术学院油画系任职。喻红的绘画以人类本质为主体，关注特定社会及整个世界的变迁及存在。她的图绘形象表达了被投放进现实社会中的人的自我剖析之感，所传达的意志通常源于她的个人生活和她周遭发生的日常，构造了巧妙融合时间与记忆之感的世界，同时熟稔地攫取人类经验的零散情绪演变。近期个展包括：中央美术学院美术馆（中国北京）、长征空间（中国北京）、上海美术馆（中国上海）、尤伦斯当代艺术中心（中国北京）。喻红也曾于古根海姆博物馆（美国纽约）、龙美术馆西岸馆（中国上海）、中国美术馆（中国北京）、纽约艺术学院（美国纽约）和波士顿美术馆（美国波士顿）参加群展。

林冠艺术基金会

林冠艺术基金会是一家致力于当代艺术收藏的私人艺术机构，其展览空间分别位于丹麦哥本哈根北港以及中国北京798艺术区。林冠艺术基金会致力于向观众推广全球最受瞩目的艺术家，并发展及扩充其收藏。

自2011年创立以来， 林冠艺术基金会迅速成为一家重要艺术机构，其举办个展的艺术家包括：蔡国强、路易斯•布尔乔亚、西丽•娜沙特、加布里埃尔•奥罗斯科、傅丹、比尔•维奥拉、艾未未、小野洋子及彼得•多依格等。

喻红 |《她曾经来过》(2017年) I 虚拟现实艺术 |  ©喻红和科拉当代 | 图片提供:艺术家和科拉当代

Yu Hong I She's Already Gone (2017) I Virtual Reality artwork. Courtesy the artist and Khora Contemporary © Yu Hong and Khora Contemporary

FAURSCHOU FOUNDATION BEIJING

VIRTUAL REALITY ART

27 AUGUST 2017 – 03 FEBRUARY 2018  

YU HONG, OPENING SATURDAY 06 JANUARY 4 PM – 6PM

PRESS RELEASE    

The fifth and final Virtual Reality artwork of the exhibition Virtual Reality Art is a new piece by Chinese painter, Yu Hong, premiered at Faurschou Foundation Beijing. In the piece, She's Already Gone, the viewer is invited to follow the life of a female character from birth to old age. As the character's life moves forward, the viewer will notice that history itself moves backwards. Yu Hong has hand-painted every detail within each scene, bringing her artistic language into the Virtual Reality world. All five Virtual Reality works shown at Faurschou Foundation Beijing serve as strong examples for the broad spectrum that this new medium works with.

The overall exhibition, Virtual Reality Art, is exhibited in Beijing from 27.08.17 - 03.02.18, and consists of 5 consecutive "sub-exhibitions" for each participating artist: Christian Lemmerz, Erik Parker, Paul McCarthy, Tony Oursler, and Yu Hong. Each artwork is exhibited for a one-month period with complementary sketches, books and artworks for each of the artists and their respective Virtual Reality pieces.

Faurschou Foundation is glad to continue collaborating with Khora Contemporary. Khora Contemporary was established in 2016 in Copenhagen, and conducts extensive research on this progressive medium, and specializes in translating the vision of established and emerging artists into the language of Virtual Reality.

Christian Lemmerz: 27.08.17 – 29.09.17 (Opening 26.08.17)

Erik Parker: 01.10.17 - 27.10.17 (Opening 30.09.17)

Paul McCarthy: 29.10.17 - 24.11.17 (Opening 28.10.17)

Tony Oursler: 26.11.17 - 05.01.18 (Opening 25.11.17)

Yu Hong: 07.01.18 - 03.02.18 (Opening 06.01.18)

YU HONG

She's Already Gone

2017

Virtual Reality artwork

Courtesy of the artist and Khora Contemporary

© Yu Hong and Khora Contemporary

07.01.18 - 03.02.18

When entering Yu Hong's Virtual Reality experience, the viewers will witness four scenes, traveling through the life of a female character from her birth to her old age. As the character moves forward in her own development, the events around her flow backwards in time. Whereas her birth takes place in a modern hospital, the subsequent scenes take her and the viewer further and further back in time, until reaching a shamanistic ritual in the earliest known period in Chinese history.

Each scene is painted by the artist by hand and adapted into Virtual Reality, the visible brush strokes adding a layer of physicality to the virtual world and creating an exchange of virtual and real matter in the piece. Yu's method of painting is vastly personal in the portrayal of the woman, emphasizing the beauty in the details of her daily life, linking events in history to intimate moments. The fleeting and the perpetual act as two merging opposites, probing development, repetition and change in history and in the life of the individual.

Yu Hong was born in 1966 in Xi’an, China. In the 1980s, she studied oil painting at the Central Academy of Fine Arts (CAFA) in Beijing, and studied at the oil painting department in 1996. Since 1988, she has been a teacher in CAFA’s oil painting department. The core subject of Yu Hong’s paintings has always been human nature, with a focus on the growth and existence of a particular society and the world at large. Yu Hong’s painted figures express the feelings and self-analysis of people thrown into the reality of society. The spirit of Yu Hong’s creation most often arises from her personal life and the surroundings of quotidian existence, constructing a world which ingeniously fuses together perceptions of time and memories, as well as adeptly seizing the sporadic emotional evolution of human experience. Recent solo exhibitions include CAFA Art Museum (Beijing, China), Long March Space (Beijing, China), Shanghai Art Museum (Beijing, China), and Ullens Center for Contemporary Art (Beijing, China). Yu Hong has also had group exhibitions at Solomon R. Guggenheim Museum (New York, USA), Long Museum West Bund (Shanghai, China), National Art Museum of China (Beijing, China), New York Academy of Art (New York, USA), and Boston Museum of Fine Arts (Boston, USA).

FAURSCHOU FOUNDATION

Faurschou Foundation is a privately owned art institution with a collection of contemporary art, and with exhibition venues at Copenhagen North Harbour as well as Beijing's attractive art neighbourhood 798. Faurschou Foundation introduces the visitors to some of the world's most acclaimed artists. Faurschou Foundation's collection is constantly developed and expanded.

Over a very short period since its establishment in 2011, Faurschou Foundation has profiled itself as a significant art institution with solo exhibitions of, among other artists, Cai Guo-Qiang, Louise Bourgeois, Shirin Neshat, Gabriel Orozco, Danh Vo, Bill Viola, Ai Weiwei, Yoko Ono and Peter Doig.